We take a look at a line engraving of composer Christopher Gluck, published in The Harmonicon in 1823.

RSM’s Chief Executive Charlotte Penton-Smith describes what led her to the Society, what an average day looks like and what the future holds for the organisation.

Getting the support you need is about so much more than just the money, it’s about getting it on time and with care. That was oboist James Turnbull’s experience when he needed turn to RSM for help.

RSM’s earliest surviving minute books, previously photographed onto microfilm in the1980s, have recently been converted to digital images, which we now need your help to make the most of.

On the occasion of the Monarch’s gracious continued patronage of RSM, we look at the Royal Charter granted by George III in 1790.

On the occasion of the Monarch’s gracious continued patronage of RSM, we look at the Royal Charter granted by George III in 1790.

To mark the first anniversary of Their Majesties’ Coronation, His Majesty The King has accepted the Patronage of The Royal Society of Musicians.

We look at the posthumous publication of the full score of Dossert’s Mass in B minor.

While much of the support RSM provides is for treatments that bring musicians back to full health, just as much of the support goes towards managing long-term health issues, as is the case for Australian-British conductor Toby Thatcher. Find out how RSM has been able to help fund the consistent attention his health demands.

An excert is required to make this feature work.

Presented to The Royal Society of Musicians of Great Britain by Frederick G. Lyon in 1874.

On the centenary of the death of Sir Walter Parratt, Master of the Queen’s Music from 1893 until his death, we display a selection of concert programmes from performances which were conducted by Parratt.

Handel was the first composer to have a public statue raised to his fame (Vauxhall Gardens) and the first composer to have a collected edition of his works produced (by Samuel Arnold in the period 1784-1794). In addition he was also the first to have a full-length biography published.

Annotated manuscripts, written in Coleridge-Taylor’s own hand.

RSM is lucky to receive legacies from musicians who want to continue helping fellow music professionals after their death. As well as donations and royalties, they also leave fine instruments to RSM, just as Yvonne Clarke did when she chose to leave her 1957 Voigt viola to the Society. We catch up with The Hallé Orchestra’s Victoria Stephenson, who has been the custodian of the viola for over a decade.

Portrait of the American contralto Antoinette Sterling.