Meet Jeordie Shenton, Programmes Lead for Tonic Music, the charity working towards good mental health within music communities. As an RSM referral partner, both charities work together closely to make sure musicians in need are getting the help they need. Find out more about Jeordie's path into the music industry and what Tonic is doing to help.

A portrait of former RSM Member William Dorrell, who taught piano and viola at the Royal Academy of Music

Isabella’s work Rusty Swan-Neck Moss for solo cello, will receive its premiere at our upcoming Jacqueline du Pré concert at Wigmore Hall, performed by Adrian Brendel. Find out more about her beginnings as a composer and her process for creating works.

Head and shoulders above the rest, this item is a bust of flautist Richard Carte, presented to the Society in 1981.

A look at the earliest document relating to the Society’s founding, the Declaration of Trust, which features the names of the original 230 subscribers, including Handel

We’re delighted to announce the election of acclaimed jazz percussionist Orphy Robinson MBE and re-election of Carl Jackson MVO, organist and Director of Music, Chapel Royal, Hampton Court Palace, to our Board of Governors.

Take a look at this 18th century pencil drawing of pianist, violinist and composer William Dance, who played a major part in the governance of the Society during his lifetime.

Do you know what an ‘Angelute’ is? Learn more about its inventor John Charles Ward.

Hand surgeon Ian Winspur, who treated many RSM musicians over the years, has died. Read his obituary, written by Katherine Butler, clinical specialist in Hand Therapy and BAPAM clinician

An autographed manuscript of Puccini’s Humming Chorus from Madama Butterfly

Violinist George Bridgtower joins as a Member in 1807 but not without questions from the Governors

It’s never too early to start thinking about your will, and as musicians, there are so many more options of what you can leave. Two Members have chosen to remember RSM, gifting royalties in the case of Clare Tyack and historic instruments in the case of Emily White as an ongoing legacy to the Society which can benefit musicians in need for generations to come.

We take a look at a line engraving of composer Christopher Gluck, published in The Harmonicon in 1823.

RSM’s Chief Executive Charlotte Penton-Smith describes what led her to the Society, what an average day looks like and what the future holds for the organisation.

Getting the support you need is about so much more than just the money, it’s about getting it on time and with care. That was oboist James Turnbull’s experience when he needed turn to RSM for help.

RSM’s earliest surviving minute books, previously photographed onto microfilm in the1980s, have recently been converted to digital images, which we now need your help to make the most of.

On the occasion of the Monarch’s gracious continued patronage of RSM, we look at the Royal Charter granted by George III in 1790.

On the occasion of the Monarch’s gracious continued patronage of RSM, we look at the Royal Charter granted by George III in 1790.